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An umbrella - like shape covering almost all
of Bali's northern coast, the district of Buleleng
is walled out by the sea of Bali on the north,
Karangasem on the east and the districts of Jembrana,
Tabanan and small areas of Badung and Bangli on
the west and south. This historical kabupaten
is isolated from the rest of Bali and has developed
distinc social and cultural features and continues
to attract increasing numbers of tourists each
year with its breathtaking natural scenery and
unique history. In 1849 Buleleng district became
the first region to be colonized by the Dutch
who went on to conquer the rest of the island.
The area is still full of buildings reflecting
the reminiscence of Dutch architecture. The influence
of the performing arts of Buleleng can be seen
in the southern parts of Bali, which proves that
it takes the lead in the cultural realm.
Once Bali's major port, Buleleng traded with
Indian merchants some 2000 years back as evidenced
by the discovery of ancient beads in Pacung, 40
km east of Singaraja. This finding, in fact, was
the first sign of Indian trade with the Indonesian
archipelago. Small stupa effigies recently unearthed
in Lovina also point to a presence of Buddhist
monks in the 6th century, who later traveled south,
where their culture blossomed some 200 years later.
These discoveries bear whiteness to the role of
the early sea routes in the history of Buleleng.
In the central north part of Buleleng lies the
city of Singaraja (100.000 inhabitants), which
was the capital of Bali during Dutch times. Today
it is a mix of Moslem kampung, Chinese shops,
tree-lined avenues of colonial houses and neo-Balinese
government offices. A Chinese temple (Kelenteng)
stands near the old harbor, not far from kajanan
mosque, whose mirhab pulpit has an interesting
combination of Moslem and Balinese decorative
motifs. The Balinese elements of the city appear
pushed to the periphery of the city while traditional
traders - the Bugis and the Chinese - Occupy its
center. Visit the Gedung Kirtya library has thousands
of lontar manuscripts in the Javanese and Balinese
scripts and you can also buy prasi paintings,
completed in the ancient fashion on lontar Palm
leaves.
Some six miles south of Singaraja on the way
to Denpasar lies the Gitgit waterfall, Bali's
highest waterfall, where the inviting cool waters
of the river below are worth a dip into. Tourists
looking for a quit beach resort can head 6 miles
west from Singaraja along the coastal road to
Lovina, a long stretch of beach now full with
hotels and Bungalows. The black sand beach is
safe and a perfect place for swimming and snorkeling.
Lovina also offers dolphin watching at sunrise.
Another six miles west from Lovina the coastal
road passes through the small towns of Banjar
and Seririt. Banjar is home to the only Buddhist
monastery on Bali, built in the early 1970's by
Addhamma Kovida Vicitta Bhanaka Girirakkhitto
Mahatera, the chief monk at the monastery, but
the monastery was almost completely destroyed
during the 1976 earthquake. The monastery, a blend
of Balinese and mainland Southeast Asian architecture,
offers hot springs visited by both local people
and foreign tourists. Up the road, driving from
the dry coastal area to increasingly lush landscapes,
you will arrive at the small village of Pedawa,
with unique shrines made from bamboo.
From Seririt a road branches inland and you come
across the most beautiful rice terraces on the
island at Busung Biu and Pupuan. At Mayong a mountain
road will take you back to the Bedugul hill area
via Munduk and to Tamblingan and Buyan lakes,
located in the midst, of a rainforest. Munduk
is an eco-tourism hill resort with no less than
six waterfalls as well as treks to the pristine
Tamblingan Lake and nearby moutain, rainforest
and plantation areas. Visitors can stay at Bukit
Jegeg cottages, a first class boutique hotel set
amidst lush vegetation.
The coastal strip past Seririt narrows westwards,
with the main road winding past Celukan Bawang
harbor and Gondol beach (a good place for swimming
and snorkeling) before eventually arriving at
Bali's western tip. After passing a huge rock-face
almost to the sea and the nearby Pulaki temple,
you will reach the newly-developed Pemuteran beach
resort, with fair accommodation and black sand,
though it is a little far from Bali's cultural
centers.
Pemuteran is an ideal place to plan excursions
to west Bali National Park (Taman nasional Bali
Barat), comprising the nature reserve of Menjangan
Island and the uplands in the west. Menjangan
Island has the most beautiful coral reefs in Bali.
Along with the nearby Labuan Lalang, this is a
wonderful place for diving and snorkeling. Basic
accommodation is available at Labuan Lalang, but
you are forbidden to spend the night on this unique
Menjangan Island.
Taman Sari Bali Cottages, near Pemuteran village
and at the foot of the Pulaki Mountain, should
be the first choice of accommodation for visitors.
Designed to be a place for spiritual uplifting,
the resort is in total harmony with its natural
surroundings. Visits to temples, jungle trekking,
snorkeling and diving excursion can be arranged
for you.
To organize treks to the inland section of the
park, you need to go southeast to Cekik, near
Gilimanuk, where the West Bali National Park office
is situated.
In eastern Buleleng you will find something completely
different. Easiest of Singaraja are the scenic
Sawan and Sudaji rice plains, producing Bali's
best rice. The area around here has a unique baroque
temple architecture best known for statues dating
from colonial times. In Sangsit, where boats still
shuttle to the Kangean Island to the north, you
must not miss the Beji temple. Its gates and shrines
are finely carved with figures of servents, Garudas,
demon heads and floral decorations. The inland
town of Sawan is traditional center for dance
and music. It has simple accommodation and river
views rivaling those in southern Bali. One of
the few remaining gamelan makers on Bali has its
workshop there.
From Sawan a narrow road heads south towards
Bedugul through coffee and clove plantations and
mountain landscapes. When you are returning to
the coastal road, stop at the Pura Meduwe Karang
temple in Kubutambahan on the northern coast.
The carvers here, besides making sculptures of
classical heroes, have also integrated the Dutch
presence in their art. The most famous shows a
Dutchman riding a bicycle with wheels made of
flowers. This is said to represent Nieuwenkampf,
a Dutch artist who first explored Bali at the
beginning of the century. He traveled around the
island by bike, stopping to make sketches of the
temples and religious events he witnessed.
Further east, the coastal villages of Julah and
Pujung, and the nearby mountain village of Sembiran,
are three ancient Bali Aga villages with their
own versions of the Balinese language. The road
that climbs to Sembiran offers a fantastic view
over the palm trees of the coastal plain.
At the eastern end of Buleleng regency is the
village of Tejakula, which has preserved an original
dance tradition, with Baris Gede (warrior dances)
and the famous wayang wong, which is perfomed
during the Galungan festival. The road then heads
eastwards into Karangasem across a landscape savaged
by the 1963 eruption of Mount Agung.
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